The serious writer has a hamster. The hamster is dying. She drags her hindlegs and pees herself. The spirit of life is still strong in her: she climbs up the cage as she used to, then falls over to one side. Her left eye is half closed. She might have had a stroke. As he sees this, the serious writer’s heart breaks in small pieces suitable to feed the rodent, who will not eat or drink.

The serious writer has come to rely on his pet. He is reluctant to call her that, since she’s become a member of the family, albeit the least talkative one. He used to read his pieces to her. He enjoyed being with another creature purposelessly immersed in a mutual moment late at night.

Out of her one dark eye, the hamster considers the serious writer, who feels his humanity melt under her unlooking gaze. She feels little pain, only a deep tiredness as if she’d gone down one road too many. She delights in being able to move at all. She knows nothing of the embarrassment of her wobbly walk. The swaying of her little body seems odd but acceptable to her, as were the conditions of her incarceration, which she did not perceive as prison nor as a privilege. The large animals surrounding her, their stomping and shouting, reach her as if through a thick fog. She feels everything with the greatest alacrity now.

As she stiffens, as her small frame withers like a brush stroke splashed with water, the serious writer tears up and begins to sob angrily. He howls, his wail travels out on the street, rises above the roofs, and the soul of the tiny mammal rides to hamster heaven on a moonlight ray, carrying the sacrament of her short, nutty life to the starry skies.

Entry for a contest at Metazen – Image to Text Conversion Experiment. Picture by Metazen – an online metafiction journal edited by Frank Hinton.

The serious writer looks back on a long and distinguished career as an herbologist. Her favourite bush grows in Central Park and is called Noah’s Ark by the residents because of the myriad of animals that it shelters. The serious writer has given a name to every leaf and branch of the Ark, and when autumn comes, her heart slowly withers, pondering decay as the shrub sheds its summer splendour and returns to the raw.

The serious writer lifts his ideas like limp lychees from anywhere and anyone. Anything and anyone crossing his path becomes material. He turns silly stuff into junk and junk into art. The serious writer will defeat his demons and crush them under his ferocious foot purely by the power of observation.

In good company the serious writer uses the cognomen  Watson. In bad company, he’s known as Professor Moriarty, and in haughty company, he appears as the cool icon of logical deduction, Mr Sherlock Holmes.

The serious writer hardly writes. When he does write, he uses a glass quill and fifteen different kinds of ink. He creates without getting his hands dirty, a God in his own house.

At night, the serious writer eats steak and smokes bamboo stalks. He washes the day down with a glass of scotch. His bed is a wet concern at the bottom of an iron lake where he tells himself lies, ambivalence-stricken, looking for true feeling, alone now, a ferruginous plant, watered by the people in his life.

The serious writer is working on his first novel.

He moves his household to a deserted location called Loch Llamorgan. He buys a large shovel, which he covers with tattoos lifted from a book of Maori motives. He anticipates a journey of many moons. He drives to the local liquor store and purchases supplies. He devises a plan to shelter the house from all disturbing influences: it involves a system of trenches surrounding the house, an escape tunnel from the study, and CCTV surveillance around the perimeter. He begins to dig.

When the serious writer, weeks later, finally sits down to start writing, he is exhausted and has forgotten what he wanted to write about, or why. He dolefully looks at his tool with the strange patterns on them, and at his callused hands, and he cannot hear any voices.

He composes an e-mail for an anonymous publisher expressing his sorrow over pressing deadlines, the demands of work and family, and regrets the delay in providing a synopsis. After sending the message, he lays face down in one of the ditches criss-crossing the field in front of the house, and drinks in the scent of the soil, waiting for the book to write itself.

The serious writer makes money like other people fist fuck. He is a wild man, a beast, and a connoisseur, who spells French words forwards and backwards with ease. Most of all, he is serious.

The woman at the side of the serious writer is devoted to his cause, which he never clearly articulated to her. She is tall, but not too tall, a blonde who could, in the right light, be taken for a brunette. She has a black bushel of strong, willful pubic hair. When the serious writer needs serious stimulation, he grabs her patch down there and yanks it.

The serious writer knows about the fertile time shortly after waking up from a dream. His woman kicks him every half an hour to interrupt his REM cycle: he then gets up, creates, and goes back to sleep. Because of this arrangement, neither the serious writer nor the woman at the side of the serious writer can get enough rest.